安塞姆·基弗
Anselm Kiefer
(1945-)
德国新表现主义代表画家之一。他被公认为德国著名的当代艺术家和美术家。是当代德国艺术界伟大而寡言的特立独行者。70年代,他曾师从德国当代最有影响力的前卫艺术家约瑟夫·波伊斯(Joseph Beuys)和Peter Dreher。
基弗曾有“成长于第三帝国废墟之中的画界诗人”之称谓,其画无论创作手法还是呈现面貌均极为现代,但往往主题晦涩而富含诗意,隐含一种饱含痛苦与追索意味的历史感。他沉浸在粗粝的色调中,像一个思考者、读者和认真的探索者,尤其是对德国历史的探索,用冷色堆砌出巨大而充满伤感意味的物象。
绘画是为认识,认识是为绘画。我着手每一个新主题、处理每一种体验时,首先是没有任何讨论的。认识是在绘画过程中产生的,但进而所获得的观点又改变了绘画。这样一个过程,这样一种循环推论,是我们在每一幅画的创作中都可以应用的。
——安瑟姆·基弗
Gehäutete Landschaft, 190 x 330 x 55 cm ,2015-2017Oil, emulsion, acrylic, shellac, lead and metal on canvas on wood
The Painter’s Studio,280x380x5cm 2016Oil, emulsion, acrylic, and shellac on canvas
Ignis Sacer,280 x 380 x 9 cm,2016Oil, acrylic, emulsion on canvas
Alkahest,101.9 x 164.8 cm,2011
Oil, emulsion, acrylic, shellac, charcoal, lead object on photograph on cardboard
The Waves of Sea and Love,190 x 380 x 43 cm,2017Oil, emulsion, acrylic, and lead on canvas
Anselm Kiefer, “Osiris und Isis” (“Osiris and Isis,” 1985–87), oil, acrylic, emulsion, clay, porcelain, lead, copper wire, and printed circuit on canvas (San Francisco Museum of Modern Art, purchase through a gift of Jean Stein by exchange the Mrs. Paul L. Wattis Fund and the Doris and Donald Fisher Fund, © Anselm Kiefer
Anselm Kiefer, “Für Paul Celan: Aschenblume” (“For Paul Celan: Ash Flower,” 2006), oil, acrylic emulsion, shellac, and burned books burned on canvas
Anselm Kiefer, “Die Orden der Nacht” (“The Orders of the Night,” 1996), acrylic, emulsion, and shellac on canvas (Seattle Art Museum, photo © Atelier Anselm Kiefer)
Anselm Kiefer, “Resumptio” (1974), oil, emulsion, and shellac on burlap (private collection, photo © Atelier Anselm Kiefer)
Anselm Kiefer, Auguste Rodin: les cathédrales de France, 2016, photo Georges Ponce
Anselm Kiefer, “Margarethe” (1981) oil, acrylic, emulsion, and straw on canvas (The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art, © Anselm Kiefe)
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