罗伯特•劳森伯格质疑艺术品和日常物品之间的区别，也是最早将照片转移到画布上的艺术家，称为拼贴画。图像对劳森伯格很重要，报纸、杂志等复制品被他融入画中，将一些拼贴元素带到二维平面上。同样的劳森伯格扩展了杜尚的现成品概念，通过将不相关的物品结合起来并纳入艺术范畴，为普通物品赋予了新的意义。“I don’t really trust ideas, especially good ones, Rather I put my trust in the materials that confront me, because they put me in touch with the unknown.”
《Canto XIV, From XXIV Drawings from Dante’s Inferno》
1959
《Onoto Snare / ROCI VENEZUELA》
丝网印刷油墨、丙烯、
石墨、物件、画布
1985
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Robert
Rauschenber
3
（装置艺术：艺术家在特定的时空环境里，将日常生活中的已消费或未消费过的物质文化实体、进行艺术性地有效选择、利用、改造、组合，以令其演绎出新的展示个体或群体丰富的精神文化意蕴的艺术形态。）“I don’t think any artist will honestly make art. If you do art, you are art. After all, you are just doing one thing, doing something that no one can stop you. So it doesn’t have to be perfect. This is your life. You can’t make this life, and something will always happen in this life: because you are always making things more ambiguous with the idea of ‘this is art’.”
