Theodore Gericault
泰奥多尔·席里柯
法国, (1791-1824)
席里柯（Théodore Géricault, 1791-1824）被誉为法国浪漫主义艺术的先驱，在世仅短短的33年，席里柯的才能和气魄对法国画坛产生了不可磨灭的影响。
—— By ArtYouhua
作品欣赏
Officer of the Chasseurs charging on horseback,1812
画家席里柯（Théodore Géricault, 1791-1824）被誉为法国浪漫主义艺术的先驱，在世仅短短的33年，席里柯的才能和气魄对法国画坛产生了不可磨灭的影响。
The Raft of the Medusa,1818-1819
席里柯生于法国鲁昂，幼年随全家迁往巴黎，1808年从画马名家韦尔内学画。1810年入盖兰画室，与德拉克洛瓦相识，常去卢浮宫临摹古代大师的名作。学生时代席里柯就表现出不肯循规蹈矩地遵从古典原则的气概，被他保守的老师所排斥，认为他学画没有什么前途，最好改行。以后席里柯去意大利学习，惊叹米开朗基罗的创造力，成为这位大师的崇拜者。
The Blacksmith’s Signboard,1814
席里柯有志于创新，注重个人情感的表达，在作品中往往流露出米开朗基罗般的宏伟感和运动感。席里柯常从现实生活中获取灵感，描绘他一生热爱和熟悉的马匹和骑手，绘制大量速写然后进行创作。席里柯的第一幅参加沙龙展的作品《冲锋的骑兵军官》，表现了战火纷飞的战场上一位挥刀驰骋的指挥官，荣获金奖。席里柯还创作了取材于当代事件的不朽巨作《梅杜萨之筏》。席里柯的作品曾去英国展出，得到很高的评价。
Slaves stopping a horse, study for The Race of the Barbarian Horses,1817
席里柯一生与马紧密相连，他自幼崇拜驯马，以后又绘制了多幅关于马的作品，如《狮攫马》、《埃布松赛马》（1821年）等，席里柯画马的习作多达上千幅，最后因坠马受伤身亡，年仅33岁。
The Wounded Cuirassier,1814
Anatomical Pieces,1819
The Epsom Derby,1821
Portrait of a Kleptomaniac,1819-1822
Horse leaving a Stable,1810
Head of a horseman,1812
Portrait of the Carpenter of The Medusa,1812
The Wounded Cuirassier,1814
The three skulls,1812-1814
Wounded Cuirassier,1814
Rifleman,1814
Portrait of Rifleman,1814
The head of white horse,1815
The Kiss,1816
Study for the Race of the Barbarian Horses,1817
The Wild Horse Race at Rome,1817
Leda and the Swan,1817
The Horse Market,1817
Naked man reversed on the ground,1817
Artillery caisson,1818
Boxers,1818
Heroic Landscape with Fishermen,1818
The Return from Russia,1818
The murderers carry the body of Fualdes,1818
Wagons filled with wounded soldiers,1818
A Portrait Of A Young Man,1818
A man,1815-1819
Head of a Drowned Man,1819
Head of a Shipwrecked Man (study for the Raft of Medusa),1817-1819
Portrait of Eugene Delacroix,1818-1819
Portrait of Louise Vernet as a Child,1818-1819
Portrait of Alfred and Elizabeth Dedreux,1817-1819
Study for The Raft of the Medusa,1819
Young blond man,1818-1819
English Jockey,1820
Horse carriage,1820
Portrait of Laure Bro,1818-1820
The asleep fishmonger,1820
The Page Mazeppa,1820
Alfred Dedreux as a Child,1819-1820
Portrait of Mustapha,1820
Scene of the Deluge,1820
Entrance To The Adelphi Wharf,1821
Head of an Oriental, or Portrait Presumed to be Mustapha,1819-1821
Horse in the storm,1820-1821
Horses going to a fair,1821
The Tempest,1821
The Bagpipe player,1821
Dead Cat,1821
Horses,1821
Man on the street,1821
The head of lion,1821
Coal cars,1821-1822
Five horses seen from behind with croupes in a stable,1820-1822
The Madwoman, or The Obsession of Envy,1822
The Woman with Gambling Mania,1819-1822
Horses of the Auvergne,1822
Portrait of a Man, The Vendean,1822-1823
Study for Dead horse,1823
The Plaster Kiln,1822-1823
The Insane,1822-1823
Three horses in their stable,1822-1823
Two post-horses at the stable,1823
Study of a Dapple Grey,1812-1824
The Horse Race,1820-1824
The Horse Race,1820-1824
Maria Serre,1824
Shipwreck,1821-1824
Old Italian peasant,1824
A Young Negro Woman
An Italian montagnard
Arabian Stallion led by two Arabians to breed
Brown Horse in the Stalls
Colin Alexander, painter
Gray horse rack
Heads of Torture Victims (study for The Raft of the Medusa)
Horse (Eastern)
Horse attacked by a lion
Lying Lions
Marie de Medici at Pont-de-Ce
Napoleon’s Stallion, Tamerlan
Officer of Chasseurs of the Imperial Guard
Paysage Classique: Matin
Portrait of Lord Byron
Portrait of young boy, probably Olivier Bro
Presumed Portrait of Pierre Paul Royer-Collard
Scene of Cannibalism for The Raft of the Medusa
Self-Portrait
Spanish horse in a stable
Study for Bay horse seen from behind
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