意大利画家, (1712-1793)
弗朗西斯科·瓜尔迪（Francesco Guardi，1712-1793年），意大利画家，被认为是印象主义的先导。其风景画具有明亮的冷色调及柔和的氛围效果。《威尼斯康那雷佐的风景》（View on the Cannaregio, Venice）和《安康圣母教堂》（Santa Maria Della Salute）是其亮丽的威尼斯风景画代表作。瓜尔迪出生于威尼斯，生前作品并不受重视，大部分都是作为旅行纪念品出售。直到20世纪，他的作品才得到认同。
作品欣赏
The Giudecca Canal with the Zattere,1759
与卡纳莱托（canaletto）同时驰名于威尼斯画坛上的场景画家是弗朗西斯科·瓜尔迪（francesco guardi）。这两位画家虽然同样倾心于场景画的创作并取得了一定成就，但二者之间却存在着比较明显的区别。
The Parlour of the San Zaccaria Convent,1745-1750
卡纳莱托的作品往往注重于城市建筑或街道的比例、透视的正确性，而弗朗西斯科·瓜尔迪的作品却充满着丰富的感情色彩，他喜欢凭借自己的感受去作画，至于建筑物的透视或比例的正确与否对于他来讲是无关紧要的。
Masked Meeting,1755
同时，弗朗西斯科·瓜尔迪不但作都市的场景画，而且对威尼斯当时的各类事件和宗教仪式、宴会等其他室内活动也颇感兴趣并收入画中，题材相对卡纳莱托要广泛得多。
The Lagoon with Boats, Gondolas, and Rafts,1758
弗朗西斯科·瓜尔迪的场景画创作充满激情而不拘泥于现实的摹写，他常常根据自己的需要而把一些威尼斯著名的建筑物收进画中。弗朗西斯科·瓜尔迪不满足于人们所见的色彩或自然产生的光线，而根据画面情况作出独自的处理。弗朗西斯科·瓜尔迪是表现了一种艺术的真实，从这点来看，他与卡纳莱托的场景画趣味迥然。
Town with a Bridge,1750
Nighttime Procession in Piazza San Marco,1758
The Piazzetta, Looking toward San Giorgio Maggiore,1758
The Lagoon from the Fondamenta Nuove,1759
Capriccio with Venetian Motifs,1760
Piazza San Marco,1760
San Cristoforo, San Michele and Murano, Seen from the Fondamenta Nuove,1755-1760
The Molo and the Riva degli Schiavoni from the Bacino di San Marco,1760
The Molo and the Riva degli Schiavoni from the Bacino di San Marco,1760
Campo Santi Giovanni e Paolo,1762-1763
The Rialto Bridge with the Palazzo dei Camerlenghi,1763
The Grand Canal at the Fish Market (Pescheria),1765
The Grand Canal, Looking toward the Rialto Bridge,1765
The Piazza San Marco towards the Basilica,1760-1765
Audience Granted by the Doge,1766-1770
Carnival Thursday on the Piazzetta,1766-1770
Departure of the Bucentaur Towards the Venice Lido on Ascension Day,1766-1770
Piazza San Marco, Venice,1770
The Coronation of the Doge,1766-1770
The Doge at the Basilica of La Salute,1766-1770
The Doge on the Bucentaur at San Niccol del Lido,1766-1770
The Doge on the Bucintoro near the Riva di Sant’Elena,1766-1770
The Gondola on the Lagoon,1765-1770
The Lagoon Looking toward Murano from the Fondamenta Nuove,1765-1770
The Three Arched Bridge at Cannaregio,1765-1770
The Torre del Orologio,1765-1770
The Torre del Orologio,1765-1770
View of Piazzetta San Marco towards the San Giorgio Maggiore,1770
The Basin of Saint Mark’s Square, with San Giorgio and the Giudecca, c.1774 (oil on canvas),1770-1774
Landscape with a Fisherman’s,1770-1775
The Feast of the Ascension,1775
Venice: San Giorgio Maggiore,1775
Venice: The Dogana with the Giudecca,1775
View of the Island of San Giorgio Maggiore,1765-1775
An Architectural Caprice,1777
Doge Alvise IV Mocenigo Appears to the People in St. Mark’s Basilica,1775-1777
Piazza San Marco,1777
City View,1775-1780
Landscape,1780
San Giorgio Maggiore,1775-1780
The Grand Canal with San Simeone Piccolo and Santa Lucia,1780
The Grand Canal with Santa Lucia and the Scalzi,1780
The Molo from the Bacino,1775-1780
Venetian Capriccio,1775-1780
Venice, Il Rio dei Mendicanti,1780
View of the Molo towards the Santa Maria della Salute,1775-1780
Ladies Concert at the Philharmonic Hall,1782
Pope Pius VI Blessing the People on Campo Santi Giovanni e Paolo,1782
The Punta di Dogana,1782
View of the Campo San Zanipolo in Venice,1782
Hot Air Balloon Rising,1784
Outward Voyage of the Bucintoro to San Nicol del Lido,1785-1788
Fire in the Oil Depot at San Marcuola,1789
The Fire at San Marcuola,1789
Bridge at Dolo
Church of Santa-Maria Zobenigo
San Giorgio Maggiore
Venice, a View of the Piazzetta Looking South with the Palazzo Ducale
Venice: A View of the Church of San Giorgio Maggiore Seen from the Giudecca
Venice: A View of the Entrance to the Grand Canal
View of the Island of San Giorgio in Alga, Venice
View of the Island of San Michele near Murano, Venice
Deer hunting
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