意大利画家, (1697-1768)
卡纳莱托(乔凡尼·安东尼奥·康纳尔Giovanni Antonio Canal),意大利风景画家,尤以准确描绘威尼斯风光而闻名,是威尼斯场景画艺术的代表人物之一。
作品欣赏
Grand Canal Looking Northeast from the Palazzo Balbi to the Rialto Bridge,1719
在《圣马可广场》、《大运河上的赛船》,及其他作品中,他将准确的建筑细节与明亮的色彩结合起来。卡纳莱托出生在威尼斯,父亲是个剧场的布景画家,卡纳莱托从小是在父亲的影响下开始学习绘画的。
Grand Canal, Looking East from the Campo San Vio,1723
卡纳莱托对剧场布景画中的透视现象特别敏感,有时无父亲的指拨,便可画出相当科学与准确的透视图来。在父亲那里完成了最初的学业以后,卡纳莱托便到当时颇享盛名的格尔列维尼斯工房学习,并在那里受到了老师的影响。可以说正是由于卡纳莱托进了格尔列维尼斯的工房才使他走上场景画创作的。
Piazza San Marco Looking East along the Central Line,1723
1719年左右卡纳莱托到罗马旅游,在那里接触到了比他年长一些的罗马画家朱塞佩·加姆巴利尼(giuseppe gambarini)的作品,并发生了极大的兴趣。朱塞佩·加姆巴利尼也善于描绘都市场景,以及古罗马的废墟等,他的作品给了卡纳莱托很大的启示,尤其是建筑的透视法和生动的场景人物的交融。卡纳莱托回到威尼斯以后,即开始了场景画的创作。卡纳莱托一生十分勤奋,创作了大量的作品,且几乎未涉及过其他体裁的创作。
The Grand Canal from the Campo San Vio, Venice,1723
San Cristoforo, San Michele & Murano,1722-1723
The Piazzetta towards San Giorgio Maggiore,1724
Venice: The Grand Canal, Looking North East from Palazzo Balbi to the Rialto Bridge,1724
Entrance To The Grand Canal Looking East,1725
Grand Canal Looking Northeast from near the Palazzo Corner Spinelli to the Rialto Bridge,1725
Grand Canal: Looking North East toward the Rialto Bridge,1725
Rio dei Mendicanti: Looking South,1725
Santi Giovanni e Paolo and the Scuola de San Marco,1725
The Grand Canal nethe Ponte del Rialto,1725
The Grand Canal Seen from Rialto toward the North,1725
The Piazzetta to the South,1725
Grand Canel the Rialto Bridge from the North,1725
Grand Canal: Looking from Palazzo Balbi,1726
Grand Canal: Looking North from Nethe Rialto Bridge,1726
The Grand Canal near San Maria della Carità,1726
Santi Giovanni e Paolo and the Scuola di San Marco,1726
San Giacomo de Rialto,1725-1726
Grand Canal. The Rialto Bridge from the South.,1727
The Piazzet Looking South,1727
The Piazzetta Looking towards S. Maria della Salute,1727
The Piazzetta, Looking toward the Clock Tower,1727
Venice, The Piazzetta Looking South west towards Santa Maria della Salute,1727
View of San Giovanni dei Battuti at Murano,1727
The Piazzetta Looking towards the Torre dell’Orologio,1728
Reception of the Imperial Ambassador at the Doge’s Palace,1729
The Bucintgoro by the Molo on Ascension Day,1729
An Allegorical Painting of the Tomb of Lord Somers,1722-1729
Piazza San Marco with the Basilica,1730
Piazza San Marco, the Clocktower,1730
Reception of the Ambassador in the Doge’s Palace,1730
Riva degli Schiavoni Looking East,1730
Riva degli Schiavoni: Looking East,1730
The Grand Canal and the Church of the Salute,1730
The Grand Canal from Campo San Vio towards the Bacino,1730
View of Campo Santi Apostoli,1730
Campo Santa Maria Formosa,1730
The Molo and the Piazzetta San Marco, Venice,1730
A Regatta on the Grand Canal,1732
Grand Canal From Santa Maria Della Carita To The Bacino Di San Marco,1732
Grand Canal Looking North from near the Rialto Bridge,1732
Grand Canal: Looking North East from Santa Croce to San Geremia,1732
Return of the Bucentoro to the Molo on Ascension Day,1732
Venice: Riva degli Schiavoni,1732
Venice: The Canale di San Marco with the Bucintoro at Anchor,1732
View of the Entrance to the Arsenal,1732
View of the St. Mark’s Basin,1732
The Arsenal: the Water Entrance,1730-1733
Campo Santa Maria Formosa,1735
Entrance to the Grand Canal and the Church of La Salute,1735
Feast of San Rocco (The Doge Visiting the Church and Scuola di S. Rocco),1735
Roofs and Chimneys in Venice,1735
The Doge’s Palace with the Piazza di San Marco,1735
The Rialto Bridge from the South,1735
Campo Santi Apostoli,1731-1735
Entrance to the Grand Canal: from the West End of the Molo,1737
Piazza San Marco, Looking Towards San Geminiano,1737
Piazzetand the Doge s Palace from the Bacino di San Marco,1737
Rialto Bridge from the South,1737
Grand Canal: Looking South West,1738
The Upper Reaches of the Grand Canal with S. Simeone Piccolo,1738
Venice: The Grand Canal from Palazzo Flangini to the Church of San Marcuola,1738
Campo San Giovanni e Paolo in Venice,1738
A Regatta on the Grand Canal,1740
Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia,1740
Padua: The Prato della Valle with Santa Giustinia and the Church of Misericordia,1740
The Bucintore Returning to the Molo on Ascension Day,1740
The Grand Canal at Rialto,1740
The Grand Canal at the Salute Church,1740
The Grand Canal at the Salute Church,1740
The Molo and the Riva degli Schiavoni from the St. Mark’s Basin,1740
The Molo with the Library and the Entrance to the Grand Canal,1740
Venice: The Basin from the Giudecca,1740
Campo Santi Giovanni e Paolo,1741
The Brenta Canal at Padua,1741
Capriccio with Venetian Motifs,1742
Rome: Ruins of the Forum, Looking towards the Capitol,1742
Rome: The Arch of Constantine,1742
View of the Church and the Doge s Palace from the Procuratie Vecchie,1742
资源只有四幅高清风景作品. 以供欣赏研究其手法.
– END –